Broadcast Audience Intelligence
A market-by-market view of television programme demand. The table separates comparable programme queries from ambiguous titles that still need intent review.
UK programme demand — validated set
| Rank | Programme | Platform | Intent treatment | Monthly searches |
|---|---|---|---|---|
| 1 | Coronation Street | ITV | Direct title | 368,000 |
| 2 | Game of Thrones | Sky | Direct title | 301,000 |
| 3 | The Night Manager | BBC | Direct title | 246,000 |
| 4 | Downton Abbey | ITV | Direct title | 110,000 |
| 5 | Catching a Killer | Channel 4 | Direct title | 6,600 |
| 6 | Countdown | Channel 4 | Qualified programme proxy | 2,400 |
| 7 | Blue Lights | BBC | Qualified programme proxy | 1,300 |
| 8 | Taskmaster | Channel 4 | Qualified programme proxy | 480 |
| 9 | Euphoria | Sky | Qualified programme proxy | 390 |
Intent review queue
These titles currently fall back to raw-title demand because programme-qualified variants are not strong enough. They are retained for research but excluded from the validated ranking above.
| Programme | Platform | Raw-title demand |
|---|---|---|
| The Pitt | Sky | 246,000 |
| Coldwater | ITV | 110,000 |
| The Office | BBC | 90,500 |
Methodology
Programme candidates are discovered from broadcaster and streaming-platform search footprints, then measured independently using Google search-demand data. Ambiguous entertainment titles preserve raw-title and qualified programme demand separately so the public ranking does not silently mix unrelated search intent.